Digital might capture the dynamics of what I heard before it went to tape a bit more accurately, but on the other hand, when we'd switch from listening to the digital version to the analog, the change was so profound - the music would suddenly go three-dimensional, and it felt much more engaging.

I don't feel bound by the ebbs and flows of musical trends, or what's happening with new music in general. I always had a fascination with that sound. It's a mixture of the idea that something could be going wrong along with the idea of bending constrained, Westernized music out of tune. But because I wasn't copying an idea, and it just came from somewhere inside me, it felt like a birth of something that most people didn't understand at the time.

I love when things bend out of shape. That's why I love drum and bass music.

Even I just listen to some bands on YouTube. I'll think, "Oh, I quite like that, I should buy it someday," but I don't get around to buying half the stuff I liked.

The French were always masters at mid-range. And I like the attitude.

I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.

Skepticism is only a time-based reality, and as an ultimate reality, it's always wrong, because everything always happens.