I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.

The Irish didn't read and write for a couple of thousand years, and I think we developed good memories and recall. We have a sense of the revelatory detail. I look for them.

I don't reverberate to victimhood, probably because of my own life. I refused to become a victim myself, so it's not one of my big stories.

I always thought the women of my age group got short shrift because the women's liberation movement came slightly after. You look at the yearbooks and you see the future homemakers of America - hurray for that - but you also see them in the engineers club. You see minority kids as student body presidents at a time when everyone was supposed to be terminally racist. Yearbooks are genres; they're also folk art, folk documentation.

I like narrative, and I ultimately am in love with the men and women I write about, most of them.

I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.

It's highly competitive to be here. People don't come to California to drop out anymore. It's a very striving place.