I started a foundation, called The Khaled Hosseini Foundation. The mission has been to help the most vulnerable groups in Afghanistan. So the focus has been on women, children, and homeless refugees, most of whom are in fact women and children.

You have extreme poverty and high crime and you have to admit that the governance of the Kabul regime has been poor and has been losing its popular legitimacy. You have a corrupt police force, not to mention homelessness, joblessness. The problems are huge.

The Taliban's acts of cultural vandalism - the most infamous being the destruction of the giant Bamiyan Buddhas - had a devastating effect on Afghan culture and the artistic scene. The Taliban burned countless films, VCRs, music tapes, books, and paintings. They jailed filmmakers, musicians, painters, and sculptors.

The cities, the roads, the countryside, the people I meet - they all begin to blur. I tell myself I am searching for something. But more and more, it feels like I am wandering, waiting for something to happen to me, something that will change everything, something that my whole life has been leading up to.

The country [Afghanistan] faces enormous problems. There is a violent insurgency hampering the rule of law and developmental efforts.

I didn't remember what month that was, or what year even. I only knew the memory lived in me, a perfectly encapsulated morsel of a good past, a brushstroke of color on the gray, barren canvas that our lives had become.

Literary fiction is kept alive by women. Women read more fiction, period.