I started a foundation, called The Khaled Hosseini Foundation. The mission has been to help the most vulnerable groups in Afghanistan. So the focus has been on women, children, and homeless refugees, most of whom are in fact women and children.

You have extreme poverty and high crime and you have to admit that the governance of the Kabul regime has been poor and has been losing its popular legitimacy. You have a corrupt police force, not to mention homelessness, joblessness. The problems are huge.

Probably the single most commen response I get from my readesr, be it through e-mails or letters, is that they did not know much, or at times, they're quite frank, they didn't care much about Afghanistan. But they pay attention more after reading these novels, and at times it has triggered this humaitarian spirt: some have donated money or at time times, people have joined humatiarian organizations that work in Afghanistan.

It was you Nabi. It was always you. Didn't you know?

It so happens that the major relationships in the novel [The Kite Runner] are between men, dictated not by any sort of prejudice or discomfort with female characters, but rather by the demands of the narrative.

Life goes on, unmindful of beginning, end…crisis or catharsis, moving forward like a slow, dusty caravan of kochis (nomads).

I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.