The problem, of course, was that [he] saw the world in black and white. And he got to decide what was black and what was white. You can't love a person who lives that way without fearing him too. Maybe even hating him a little.

She would grab whatever she could -a look , a whisper , a moan - to salvage from perishing , to perserve. But time is most unforgivving of fires , and she couldn't , in the end , save it all .

I wanted to tell them that, in Kabul, we snapped a tree branch and used it as a credit card. Hassan and I would take the wooden stick to the bread maker. He'd carve notches on our stick with his knife, one notch for each loaf of naan he'd pull for us from the tandoor's roaring flames. At the end of the month, my father paid him for the number of notches on the stick. That was it. No questions. No ID.

There is an energy, a romance in writing the first novel that can never be duplicated again. I was entirely absorbed in that world as I wrote the book [The Kite Runner] and to see the final page of that manuscript whir out of the printer was a very special feeling indeed.

You say you felt a presence, but I only sensed an absence. A vague pain without a source. I was like a patient who cannot tell the doctor where it hurts, only that it does.

For you, a thousand times over

Children aren't coloring books. You don't get to fill them with your favorite colors.