We're on tour to kind of explain why we do what we do, how its done and how we put it together.

I try and make little stories. Whether it's with a pencil or with bits of records, it's really the same thing.

My scratching I don't really think communicates to intelligent life forms. Anyone with more than one brain cell would think Kid Koala music is completely retarded.

I really enjoyed the sort of real crazy, eclectic layering stuff and how it all worked together. I could tell it was some of it was derivative of something. I could tell that certain things were being looped around and I just really enjoyed the way that it all came together.

When the generation after me started getting on the cut, a lot of them would call me over to hang out or go jam and scratch and they were always separate from each other.

A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.

Eventually we want to do a puppet musical with turntables in the orchestra pit.