When I started, there weren't that many kids doing it in the city, but the in the wave after me there were a lot of them and they actually never spoke to each other.

Keep it weird. They'll get it later.

A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.

It's funny how making odd noises can get you into strange situations sometimes.

We're on tour to kind of explain why we do what we do, how its done and how we put it together.

When the generation after me started getting on the cut, a lot of them would call me over to hang out or go jam and scratch and they were always separate from each other.

When I'm playing with the band or playing with some projects or some of my own stuff it's about the musical approach. That would be the more turntablist approach to things of where it's strictly about music.