It's funny how making odd noises can get you into strange situations sometimes.

Eventually we want to do a puppet musical with turntables in the orchestra pit.

We're on tour to kind of explain why we do what we do, how its done and how we put it together.

I really enjoyed the sort of real crazy, eclectic layering stuff and how it all worked together. I could tell it was some of it was derivative of something. I could tell that certain things were being looped around and I just really enjoyed the way that it all came together.

When I started, there weren't that many kids doing it in the city, but the in the wave after me there were a lot of them and they actually never spoke to each other.

When the generation after me started getting on the cut, a lot of them would call me over to hang out or go jam and scratch and they were always separate from each other.

A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.