I wasn't trying to do a play or do what Kevin Spacey did. I was trying to do my own thing with it.

There are certain moments that you have to hit in a film, like when a character cries.

People respond to a guy who is trapped and succeeds on some level and fails on another.

I've always traveled with a picture of my daughter from 1989, her kindergarten school picture, that has 'I love you, Daddy' written on it. She's always made fun of me because I never changed that picture out. It's like my resistance to her getting older. It was the first thing she'd ever written to me and it means the world to me.

If you take a look at our natural history, there's always a moment where the young lion wants to challenge the older lion and, inherently, that's going to be problematic, and I don't think we're any different.

The father-son thing, that's a separate thing. This film [Forsaken] was not about that. This was a film about two actors wanting to try and tell a story... and taking advantage of the fact that we looked like a father and son.

I consider myself to be a relatively helpful person, and there's an interesting line when hope starts to become the way you actually mask or hide from what's really happening.