The father-son thing, that's a separate thing. This film [Forsaken] was not about that. This was a film about two actors wanting to try and tell a story... and taking advantage of the fact that we looked like a father and son.

I do believe very strongly that all of us and all of the other things in the context of our planet with Mother Nature, all of these things absolutely have a profound effect.

Romania is an interesting place because I think it has been abused, on so many different levels.

I think the most attractive thing is a sense of humour. If someone can make you laugh, you've gotten a lot out of the way.

There are two things that Jack Bauer never does. Show mercy, and go to the bathroom.

There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.

I think when you get the opportunity to work with someone like Lars Von Trier... I mean, Alexander Skarsgård, Charlotte Rampling, John Hurt, just to work with those actors, you take that opportunity when you get it.