The father-son thing, that's a separate thing. This film [Forsaken] was not about that. This was a film about two actors wanting to try and tell a story... and taking advantage of the fact that we looked like a father and son.

My whole mood or sense can change by virtue of the music that I'm listening to. It really does affect me on a visceral and emotional level.

The most significant piece of advice my father gave me early on about acting was, don't get caught acting. Really believe in what you're doing and then commit to it. Even if it feels uncomfortable, even if you feel that you're gonna look like an ass. It's all acting, but find the truth in a moment as opposed to just pretending you have and rather than trying to act your way out of it.

Theres a confidence that comes from youth and not knowing better. But there comes a point, as an actor, when you do know better, and that is when the fear starts.

I think that the day you've figured out the differences between women and men is the day that you're no longer attracted to women. It's the difference that is so fantastic and frustrating and angering, and really sexy.

I liked the ceremony, the ritual of preparing cocaine, as much as doing it. I did it for a year, loved it, then stopped. Now I feel the same way about cooking.

What I ended up doing was kind of crafting an idea for a story, presenting it to a writer - a dear friend of mine, Brad Mirman - and he ended up writing a beautiful script. I should've done that a lot earlier.