My mother was an extraordinary theater actor in Canada, and when I would finish school, I would go to the theater. I would do my homework, we would have dinner there, she would do her play, and then me and my sister would go home. So I grew up in it that way.

The father-son thing, that's a separate thing. This film [Forsaken] was not about that. This was a film about two actors wanting to try and tell a story... and taking advantage of the fact that we looked like a father and son.

I think that the day you've figured out the differences between women and men is the day that you're no longer attracted to women. It's the difference that is so fantastic and frustrating and angering, and really sexy.

One of the big draws of the show is here's a guy who is ordinary in a lot of ways but, due to his profession, he's placed in extraordinary situations that he has to make right with action and with thought. That's what is appealing about Jack - he takes charge.

I couldn't see my father's films because they were restricted and we didn't have videos or DVDs back then.

I'm a huge fan of Canadian rock-and-roll. When I was growing up, Rush came out with a record called Hemispheres, and I must have listened to that record for two years straight. Even when I was asleep I had it on. So, yeah, whenever I hear a Rush tune, the first thing I think of is Toronto.

I think one of the things I was most interested in finding out was how differently we approached our work. And my reality was that we didn't approach it very differently at all, which was funny.