I think the father-son dynamic is interesting. I don't have a male friend who hasn't had some kind of conflict with their dad, and I don't have a male friend who hasn't had some kind of conflict with their son.

I've made films that I've given all I had to, that no one has seen. The bottom line is I want to work and I want someone to enjoy it.

Theres a confidence that comes from youth and not knowing better. But there comes a point, as an actor, when you do know better, and that is when the fear starts.

When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I dont have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.

What I ended up doing was kind of crafting an idea for a story, presenting it to a writer - a dear friend of mine, Brad Mirman - and he ended up writing a beautiful script. I should've done that a lot earlier.

When Julia and I broke up and I was really scared to go into a market or anywhere because I thought, Oh God, everyone must hate me. And that wasn't the case. People said, I'm sorry this happened, man. Are you alright?

I think that the day you've figured out the differences between women and men is the day that you're no longer attracted to women. It's the difference that is so fantastic and frustrating and angering, and really sexy.