I feel like there's a young generation of producers who are taking inspiration from dubstep but trying to push it in other directions.

I think the most important thing for me is putting out records that document ideas.

Make a record in your bedroom on a cheap computer, play it on pirate radio, and that's what's it's all about. You can do something really exciting and you don't need any record companies. The way I do everything comes from that, the impact of those two things.

When drum'n'bass happened, when the two-step/garage thing happened, there was a chart smash every week; it operated on the underground and the pinnacle of pop mainstream at the same time.

If I bare my soul in bits and make it personal, I think people can sense that when they hear it.

So many people I was at school with have all ended up being musicians and putting records out.

I feel like there's a young generation of producers who are taking inspiration from dubstep but trying to push it in other directions.