My father is a massive, massive music fan. I grew up listening to rock, soul and jazz.

I realized there were no words or anything in my music, nothing that people would have to draw them in a little bit more.

I thought Everything Ecstatic was the happiest of them all - hence the "ecstatic" name. The whole concept behind that was total out-and-out euphoric mania. I think tracks like "Smile Around The Face" are the jolliest things I've ever done, really. But one of the things I like about my music is the fact that it's instrumental, so there are no lyrics to guide people.

Make a record in your bedroom on a cheap computer, play it on pirate radio, and that's what's it's all about. You can do something really exciting and you don't need any record companies. The way I do everything comes from that, the impact of those two things.

I think the most important thing for me is putting out records that document ideas.

If I bare my soul in bits and make it personal, I think people can sense that when they hear it.

When drum'n'bass happened, when the two-step/garage thing happened, there was a chart smash every week; it operated on the underground and the pinnacle of pop mainstream at the same time.