I find that people in American are often much more purist. If you're into hip-hop, you're totally into hip-hop - you wear the uniform, that's all you listen to. If you're a goth, you're totally a goth - you've got, like, 4,000 piercings, black hair, you really go for it.

When drum'n'bass happened, when the two-step/garage thing happened, there was a chart smash every week; it operated on the underground and the pinnacle of pop mainstream at the same time.

People ask me about all sorts of sounds. There's a sound of a screeching toy or a rubber duck and everybody asks me about that, but it was an absolutely random thing, just a cool sound.

People read into the music. I have a feeling that they can believe that I'm trying to put some emotion forward. It's not just some technical exercise.

If I bare my soul in bits and make it personal, I think people can sense that when they hear it.

I find the more I DJ, the more ideas I have and the more music I want to make.

I feel like there's a young generation of producers who are taking inspiration from dubstep but trying to push it in other directions.