I like that feeling when you’re making art, that you’re taking the energy out of your body and putting it into a physical object. I like things that are labor-intensive : you make a little thing and another little thing and another little thing, and eventually you see a possibility.

I like that feeling when you’re making art, that you’re taking the energy out of your body and putting it into a physical object. I like things that are labor-intensive : you make a little thing and another little thing and another little thing, and eventually you see a possibility.

One's self is always shifting in relationship to beauty and you always have to be able to incorporate yourself or your new self into life. Like your skin starts hanging off your arms and stuff, and then you have to think, well that's really beautiful too. It just isn't beautiful in a way that I knew it was beautiful before.

I certainly am one of those people who is incredibly privileged to have an art career, which happened out of luck. Then luck kept happening. Besides that, things just move along in their own weird way.

I'm peripheral in Colab's history because others were involved in media, filmmaking, and music, and I was always a studio artist.

When studio art started being seen as important, I joined Colab, and then I became very involved.

Life is much larger than how we image it, always, but society can be constricting in ways.