Women who have been disappeared by violence are howling. The voices of disappeared women are echoing. I sing with these voices.

South Korea is one of the worst countries when it comes to opportunity for women in social activities and employment. To my disgust, in certain communities in Korea, you cannot even imagine how severe sex discrimination is.

When anger and sorrow overflow, sometimes it becomes poetry.

Alienation between the content and form happens frequently in my poems because I obstinately carry on dismantling my body, an act you can also call "dismantling delusion." I think that after I dismantle my female body, I can finally dismantle established lyric poems.

It is difficult to disturb the common usage of Korean that is bent to the perspective of a male-oriented society. Korean society is based on both a politics and history that have been disguised as a solid society of solid male poems, a solid written language, fixed rules of how to write literature, and a narrative language.

Our mothers who have gone are buried in our bodies. It can be said that we were born with dead mothers in our body.

Women in Korean myths disappear after giving birth. The reason they were born is to produce sons.