Women who have been disappeared by violence are howling. The voices of disappeared women are echoing. I sing with these voices.

Poetry is something that disturbs the mainstream with minor things and it is something that breaks down active discrimination with passive things, and it can break down something that polishes the filthy things with filthy things.

Poems are a dance of language that comes out when my body taps into the rhythm of language. Rhythm gets us naked and exposes our selves completely.

The language of poetry is not stuck in place. Nothing can own language. I think, however, the genre of poetry itself is very feminine and motherly.

It seems Korean women are enjoying a passive and fragile status, intoxicated by appearance. Not only feminism, but any serious discourse ends up being swept away by popular culture in Korea.

When I first started to write poetry, I used to feel as if my tongue would go numb.

Korean feminism has been swept away by popular culture. It became a sort of old-fashioned trend or a joke.