I think it's always a challenge when you're telling a story that people know. But hopefully, good storytelling - well, there's two things. One is, you definitely have to have surprises and changes so that people are - you keep them interested, you take them down roads that they didn't expect and give them suspense and surprise.

I think it's why we're able to look at with comic book stories or origin stories, why is it that we can keep retelling these stories over and over? And hopefully it's because it hits something so universal and so primal inside of us that we actually yearn for that same story over and over. But toned and different form, and updated and modernized, and I can go into the specifics.

If I even tell anything false, within one minute I have to come clean. And I think most people, even if they're not that direct, it comes out in indirect ways. If somebody cheats on you, they end up telling you they've been spending all this time hanging out with that person. Why? Because nobody can bear a lie. A lie won't stay silent. It makes noise.

There are a number of times when we have found, there's a number of old-school special effects in here that are fantastic, but there are definitely some times that we went digital and you're not going to tell the difference, I don't think. I think it just serves the storytelling because that's just the era that we live in.

In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.

Chloë Moretz as Carrie has an inherent amount of charisma, the camera loves her, she's been acting since she's five, she's a total pro, she knows her instrument. I took her on this phenomenal journey from a confident child star who has the great privileges of a family who loves her, great success, and huge confidence, to a wounded woman who had to gain her confidence back and desperately wanted love and acceptance.

I think there are a lot of writers who would never have an opportunity to make their work. Some presses rely heavily on the NEA. Translators cannot support themselves on translating. It would be isolating artistically. It would diminish experimental output. It would have a homogenizing effect on the work that was made.