I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.

Rare are the people who can capture a human being.

I think that most human beings go through some sort of depression in their life. And if they don't, I think that's weird.

Like, a lot of people I know are wanting to get back to the Earth in some way and not raise their kids in this world of Apps and Internet all the time. I grew up on a river in New Jersey and I was in fantasy land. I could do anything.

Charlotte Rampling is someone I've wanted to work with for a very long time. I've always looked up to her as an actress and it's a reason why I feel brave to do a film like Melancholia. So, to me she's the ultimate.

I feel like everyone directs their own career according to their taste, what they migrate to emotionally and what kind of artists they want to work with.

The performances that I love are ones like Gena Rowlands in 'A Woman Under the Influence,' where women are allowed to be messy and imperfect. It's that kind of woman that has always inspired me to seek roles that are a little out of the box. I just haven't always had the opportunity to do them.