I can't wait to have kids one day. I want to have kids and a farm with lots of animals on a lake.

I've been an REM fan since I was a little girl. I would jump around to 'Stand' in the mirror.

Every movie I do, I always use things that have happened in my life. Funny moments, anything. If it just sticks out I'll write it down and use that, too, because it has to come out of you. But no one can work when they're depressed. I don't think I'd physically be able to do it if I were depressed.

On every film I do, whenever there are other girls my age, I think it's definitely up to me to set the pace. That's because I've had a lot of experience and I think there's always a certain amount of professionalism that should be maintained. If I was catty or whatever, it would just make the whole shoot unpleasant. And what's the point of that?

I don't gossip about myself.

The filmmaker is really important to me: it could be their first film; it's not just about their reputation, but I have to really believe in them.

The best scripts I read are usually pretty - they move really quickly, there's not a lot of exposition in between all of what's happening, so you can really just flow with the lines, and you're reading and it has a momentum and you understand it emotionally.