I think that certain directors are better at choosing actors that match well with each other. And I have feelings about actors and who I think I'd work well with better moreso than others.

I don't think roles help you resolve your issues. I just think they're good markers.

I don't really want to talk about my personal experience. It's something that I have talked about just because it came out in the press but I've tried to navigate the waters in my own comfort-ability.

I started when I was three years old, doing commercials and Modeling in New York, I liked it so much that I kept doing it.

A lot of people my age, they grew up with me onscreen. I think that's helped keep a certain amount of longevity. When you grow up with a person, you feel like you know them.

You really can't explain how you do the things you do. I can't, anyway. I love certain actors, but sometimes they say the stupidest things about technique. I don't want to say something stupid.

I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.