So actually what that was able to do was twofold. For me, it helps illustrate what DTS is capable of doing right from the beginning. And secondly, technically, it actually gave us a little bit more time so we could just finesse some effects and things like that, because when you release theatrical, you actually get a bigger window than if you're DVD when you have to have it done sooner so they can press the DVDs and all that kind of stuff.

So it was a win-win all the way around. It was an amazing moment, not only for myself and the team behind the film, but for DTS and for John Lasseter. He was always a big fan. He was a proponent, a supporter of the whole thing, and it just worked out.

When that word came down that the company had decided that we were going to go theatrical, we hooped and hollered and wahooed and all of that stuff, but the good thing is we didn't have to change anything. It's not like all of a sudden we had to reset, like "Oh my gosh, we're going to theater. We've got to make this better. We've got to make this bigger. We've got to add..." It was all done.

So actually what that was able to do was twofold. For me, it helps illustrate what DTS is capable of doing right from the beginning. And secondly, technically, it actually gave us a little bit more time so we could just finesse some effects and things like that, because when you release theatrical, you actually get a bigger window than if you're DVD when you have to have it done sooner so they can press the DVDs and all that kind of stuff.

Back in the day, it would be more competitive and hide. You do your thing. I'll do mine. It's not like that at all. Everyone is there to help everyone, and that gives you a great sense of not only just support, but respect and everything else that goes with it.

With the quality of films it seems animation can do almost anything these days. It’s amazing what goes on. But for us it’s always about trying to tell a good story, with great characters. And that will probably always be the philosophy as far as Disney and Pixar is concerned.

There is a whole separate filmmaking team that's doing it, but that's part of what's great about the Brain Trust and about the inspiring leadership of John Lasseter. He leaves it up to that creative group of individuals to help each other elevate each thing that they're working on to only try to make it better and to share what you've learned on the first one.