[Ralph Angel] was really about figuring out the humanity aspect of the character and not really paying attention to certain things like him being incarcerated or him being a father and showing that type of love and putting something before you, despite me not having kids in real life. He's vulnerable, ambitious and alive.

I really got attracted to the idea of touching so many people and that idea of art transcending entertainment and art and activism being synonymous.

When the dialogue is on point and I feel like the overall story and message is really serving something that's socially progressive, it really makes me want to be a part of it.

Louisiana taught me another level of humility. Everyone is so content, not socially content but spiritually. Everyone is happy with who they are and loves their city regardless of what has happened here with Katrina and all the different stories. They have a sense of pride and it really rubbed off on me.

Ralph Angel was such a great character. The single-father image has been portrayed in so many ways so having the ability to be a part of that narrative excites me!

If I choose this platform [The Black Arts Movement] and God validates this platform, I feel like we have to use the hyper-reality to get people closer to [actual] reality. Right now is so special because it's the information age and people just want to be aware and there's no better way of doing that than through art.

[Ralph Angel] was really about figuring out the humanity aspect of the character and not really paying attention to certain things like him being incarcerated or him being a father and showing that type of love and putting something before you, despite me not having kids in real life. He's vulnerable, ambitious and alive.