I do feel it's crucial that women's opinions be taken equally with men's. But still'I have not been accepted by the American white feminist writers and activists, and frankly I don't care to be, so I am a womanist. I am feisty and I am given to womanish behavior.

In 1998, I was trained by the SPLA [Sudanese People's Liberation Army ] in London how to pretend to be a geologist.

I learned English by watching soaps as a kid, and since I don't have any formal education and can't teach at the universities like other literary writers do.

There are more than 100 million African women who go topless at some point in the day, each and every day, to honor both God and our ancestors. So being in a country like America where nothing is hated more than the image of the black woman, even by black people'because her womb produces the black man and makes us black'I find it of grave importance to implement African images, and especially to produce media images that acknowledge the sexual power and fertility of black women.

I was adopted my black Americans, I feel that I'm a 'Hybrid'. When I'm around Africans'I suddenly feel very black American. And when I'm around black Americans'I feel very North African. North Africa and black America are both the creators of Kola Boof.

In 2004, I went to Israel and gave a speech that resulted in guns and ammunition being given to the South Sudanese rebels, specifically Commanders Athol's and Yaka's armies.

I loved 1930's women's pictures'films by Josef Von Sternberg or William Wyler. So, I fashioned a style out of that. The integrity and ethos of what I would write, however, came from the films of Ousmane Sembene and from reading Richard Wright, Toni Morrison, Sylvia Plath and Alice Walker.