I'd written Smashed not because I was ambitious and not because writing down my feelings was cathartic (it felt more like playing one's own neurosurgeon sans anesthesia). No. I'd made a habit--and eventually a profession--of memoir because I hail from one of those families where shows of emotions are discouraged.

Without a bottle to hold, I feel incomplete, the way Plato says we are each born only half a circle, and we spend out lives seeking out our other half. A drink is my beloved. Without it, I am wanting; I feel half finished.

I once heard someone say that the concept of moderation seems a little extreme, and tonight...I agree.

I'm sick of the ignorance that lack of funding has generated, of the fathers who apporach me at dinner parties with their four-year-old girls clasped to their pant legs and say, "Yeah, but studies say kids can buy drugs more easily than they can buy alcohol." To which I always respond, "I guess that means you keep heroin in your liquor cabinet?

My boyfriends have all been as stoical as queen's guards. They'd been patient, committed, and dispassionate, and I'd had to really debase myself to extract any emotion, either grin or grimace, from them.

I grew up in a family that despised displays of strong emotion, rage in particular. We stewed. We sulked. When arguments did occur, they were full-scale conniptions, and we regarded them as family failings.

I am aware that somewhere along the line, I've subconsciously turned down the pitch of my speech, like a silencer of a gun that softens the sound of its firing. Now, even when I yell, I don't feel like I am using my full voice.