There's a limit to my patience with anything that smacks of metaphysics. I squirm at the mention of "mind expansion" or "warm healing energy." I don't like drum circles, public nudity or strangers touching my feet.

Without a bottle to hold, I feel incomplete, the way Plato says we are each born only half a circle, and we spend out lives seeking out our other half. A drink is my beloved. Without it, I am wanting; I feel half finished.

I am aware that somewhere along the line, I've subconsciously turned down the pitch of my speech, like a silencer of a gun that softens the sound of its firing. Now, even when I yell, I don't feel like I am using my full voice.

I once heard someone say that the concept of moderation seems a little extreme, and tonight...I agree.

I'd written Smashed not because I was ambitious and not because writing down my feelings was cathartic (it felt more like playing one's own neurosurgeon sans anesthesia). No. I'd made a habit--and eventually a profession--of memoir because I hail from one of those families where shows of emotions are discouraged.

My boyfriends have all been as stoical as queen's guards. They'd been patient, committed, and dispassionate, and I'd had to really debase myself to extract any emotion, either grin or grimace, from them.

I grew up in a family that despised displays of strong emotion, rage in particular. We stewed. We sulked. When arguments did occur, they were full-scale conniptions, and we regarded them as family failings.