Actors can be very precious about their work and their scenes, but I think good actors have a strong understanding of narrative and are very often not as precious about that stuff. They just can't be because they understand what makes for a better film, and that it's the job of the actor to work toward that, and then if you want you can go to acting class or workshops. But making movies is not workshops.

Really, I'm incredibly disjointed and not candid. Just in general, my thoughts tend to come out in little spurts that don't necessarily connect. If you hang around long enough, you can find the linear path. But it will take a second. That is why these interviews never go well for me.

When you love something, you get to know it. Then you feel the ownership and if it changes, you only love it as far as you know it because then you're like, "What is this?"

I like women who have an opinion one way or the other or who have a great sense of humor and a great sense of adventure. I can be friends with women who are not like that, but I don't have that hard emotional connection.

I don't want to make statements about where I'm gonna be in 30 years. But as of right now, I definitely have a different relationship with the way I look. It's not all-consuming.

I was so sensitive and touchy in a way that my character would never be. I was so protective and defensive of young girls, and sex in general.

I learn a lot with actors that I don't think are good. Every experience shapes you. I've had experiences with actresses - and I say actresses because there's just a woman thing - that have achieved what she's achieved, by means that I can't understand.