Actors can be very precious about their work and their scenes, but I think good actors have a strong understanding of narrative and are very often not as precious about that stuff. They just can't be because they understand what makes for a better film, and that it's the job of the actor to work toward that, and then if you want you can go to acting class or workshops. But making movies is not workshops.

I don't expect to seem cool to everyone; nor do I want to be. I think that's the opposite of the definition of cool. So I don't care at all.

I want a cheeseburger so badly, but I have to be a vampire in a few weeks.

There are days when I definitely look in the mirror and go, "All right, I need to find a cream." I can't foresee myself ever going under the knife, but then again, I'm only in my mid-thirties. Maybe it's different when you're in your mid-sixties.

Women have a faith in themselves that is unpragmatic and in each other that's just emotional and f - ing strong. Both of those characters are criticized for being weak, for being subject to a man, but I think that that's a really bold and natural thing that we all want.

If you look at the actual movies that I've done, the whole struggle is to get to that point, so it's not something that you just have so easy . . . But it's okay. It doesn't bother me. I've done okay so far.

What I did suffer when I was young was because I was sort of a hick coming into New York City. I was made fun of by a lot of the Factory people. Even Andy Warhol thought I was a hick.