In personal conversations between director and actor, the male directors that I've worked with are just as emotional. Maybe it's because I had to start having very intimate conversations with adult men at a very young age in order to get the work, but I'm really comfortable with dudes. I mean, we push boundaries in this business in terms of getting to know people.

You can make a movie that's more focused on the jokes, but Young Adult was not that kind of movie.

I don’t think I would ever have been able to be an actress had I not started at nine years old. I would have been the last person to stand up and say, ‘I’d like to star in the play.’

People are obsessed. There's an incredibly large group of people that spend most of their time considering other people's lives. It's strange to me.

I mean, I love L.A. - I love living here. But I wish that we could make things without the need to hit a home run every single time. It's a unique thing to Hollywood that if you don't do that every time, then you're considered a failure. But it's like, 'Well, are you making movies to be successful? Or are you making movies to learn something?'

If you respect yourself and you love yourself, that's the only way anybody else is going to.

I think we were promoting New Moon just as I was finishing The Runaways, and I remember going to Comic-Con with a Minor Threat T-shirt on. I was really happy and excited to be there, but I was so defensive and crazy.