Asian horror is really setting a trend. The Pang brothers are from Hong Kong, so they just bring a whole different sensibility to a horror movie. In Hong Kong, they're actually doing stuff that's very artistic and pushing boundaries.

You don't always just have to do an indie movie to feel like you're controlling it with a few people that you really have connected with, creatively. You can do it on a bigger scale.

It almost makes the secrets more important, those few things you actually do choose to keep to yourself.

People have a hard time accepting when someone displays even the slightest amount of discomfort in the spotlight. You're supposed to soak up every bit of fame like it’s sunshine.

I'll decide to do a movie and then go oh, like "Twilight" fans are probably going to react to this or whatever. But that's always an afterthought. Like I don't plan things out based on other people's opinions of how like I think they're going to receive them. I do it like for the experience.

It's impossible to always get across what I'm trying to say, but, if I just stay honest, then I'm not going to look back on any of these interviews and wonder what I was trying to do or be.

I'm also human so I have days when I look in the mirror and go, "All right . . . Things are definitely changing." I can see that.