The lasting legacy of the Cooter Smash is that I'm the first to know when it's going to rain. That's right. I both sing and predict the weather with my hoo hoo.

I had to cut a lot of things I wanted to keep [in The Art of Elegance]. I'm going to have to do a part two for sure.

I'm constantly learning, and that is the greatest gift of life in my opinion - to always be learning and growing.

I think... you know, collaboration, in general - no matter movies, television or Broadway - is offering of what you can bring to the table and also fighting what you think the important battles are. Not everything is going to make it in there. Not everything is going to work. You have to collaborate. And you have to be a good listener.

I was on the cheerleading squad and drama and the choir, but I was friends with everybody. I was not a partier. I was too Type A and crazy about my grades, but I was still there at everything.

Before I got Madeline, I used to see dog people who were so obsessed, and I'd think, Oh, that's so sad. But now, here I am, talking about her all the time. I even dress her up in little outfits; I'm madly in love with her.

I auditioned for a solo in church and got it. I was about seven and I sang a song called, 'Jesus, I Heard You Had a Big House' and I remember people standing up at the end and me thinking, 'Oh, I think I'm going to like this.' That's how it all began. Sounds funny to say you got your start in church, but I did.