You have to carry so many archetypes as an actor, especially as a blonde-haired, blue-eyed one.

I'm a character actor; that's my skill set.

We try to use obvious Canadian touches whenever we can, and I'm really proud of the way we use Vancouver for its production value. Nobody is pretending that we're not shooting in Canada, which is really important to me. The other wonderful thing is that ABC has bought us, but they air us after CTV has had the full season air on Canadian television. That's another thing that I think is really a nod towards the importance of us acknowledging our own industry.

The sneak-peeks you get off the top are of them in their real life. You're more invested, you know both of them, and you've already made assumptions. A murder who would murders someone - that makes them immediately bad - but here you see them in a different.

I injured myself quite badly when I was seventeen. I broke my ankle, and it didn't heal in such a way that I could keep dancing at the level I wanted to. It wasn't like, 'Oh my god, I'll never play the violin again.' I could, but not at the level I wanted. So, I segued into acting, the other thing that was also meaningful to me.

I found out that detectives are really good dressers. I'm not even exaggerating. The woman I interviewed had these fantastic fuschia suede heels on that I coveted. And that they're invested in their jobs the same way you and I might be. We think of them as doing these jobs that we could never imagine doing, but their relationship to what they do is the same as our relationship to what we do.

I want to live a good life and pay my taxes. 'The Killing' was a blessing. It was two wonderful years. But I had reached a point in my life, especially with a young son, that I was no longer willing to compromise my life for the sake of a paycheque. I was no longer willing to move where the tax credits are strong.