Yes, it leads people to believe that they have more information than our cops, but then, at some point, before you know it, you're both caught up. Everybody, when they're watching the who-dun-it shows, is making guesses in the first five minutes anyway. We just kind of give them what they want.

Yes, it leads people to believe that they have more information than our cops, but then, at some point, before you know it, you're both caught up. Everybody, when they're watching the who-dun-it shows, is making guesses in the first five minutes anyway. We just kind of give them what they want.

I injured myself quite badly when I was seventeen. I broke my ankle, and it didn't heal in such a way that I could keep dancing at the level I wanted to. It wasn't like, 'Oh my god, I'll never play the violin again.' I could, but not at the level I wanted. So, I segued into acting, the other thing that was also meaningful to me.

One of the things the police officers told us in the first minutes of being with them is that the way that they cope with their job is by using a lot of inappropriate humour. It's really a lovely opportunity to try to challenge our ideas of what it is to deal with complex issues, and that they're not always dower. Having that kind of humour along with the pathos for what people are going through is a really nice challenge.

I'm a journeyman actor. My experience as a journeyman actor is that you have to go where the work is. I've never been the lead; I've never been in that position.

You have to carry so many archetypes as an actor, especially as a blonde-haired, blue-eyed one.

I'm a character actor; that's my skill set.