My stories take three or four months to fix, and it's not magical of a process. Ultimately it's a boring, difficult process. I write everything out, and then the parts I think are funny I put in bold. Then I go perform it. Then the parts that aren't funny, I unbold them.

It really helped to have someone whose taste I really trusted who I knew was really smart and a really good writer. Sometimes I find it hard to judge my own work so it was good to have someone who could look at it. It was like, "Oh, she likes it, then it's good."

I moved to New York first and was really apprehensive about moving to L.A., but I really, really like it.

Philosophy is problem-solving. There's a philosophical problem, and then you try to solve it by approaching it from different angles and seeing what way works. That's what comedy is: you have a topic and you try to just hit it as many different ways as you can.

I think being funny had something to do with feeling like an outsider, not feeling cool - insecurity.

I was on this path to becoming a computer-science guy, but I didn't like it. I got no joy from it. It was very, very scary. It was suffocating to think that I was just going to do this thing for the rest of my life.

I would say I try to make my comedy really personal. I try to tell stories that happened to me, experiences from my life.