I guess some people like to just stick with their sound, like Weezer or something, but I think I just try to keep it as close to my real life, in a Neil Young sort of way, as possible.

Maybe I'm biased because I'm from there. It's close enough to New York but it's not swallowed up by New York's hustle and bustle. Philly's busy enough. There are tons of record stores and record-head friends and plenty of D.I.Y. shows. It's a place where people pass through and bands don't usually skip on tour. There are lots of music resources but it's not too over the top.

I know most of my records are real good but I know that there are definitely things I would've changed at the end of the day. I work on things forever, and there are things I wish I didn't do, but ultimately I know the records are good. I kind of let go of big expectations, maybe because hopefully that means if I don't have them, that it'll do really well, but you just never know.

I was used to hanging out late after playing a gig - you mix adrenaline with alcohol and you can stay up all night.

There's downtime in music, which obviously is necessary or else you'd lose your mind in other ways, but if we're on tour and there's electricity from the audience, if you're getting a good response, then that's the positive side of the mojo where I could feel cocky and just know I'm doing good and then there's a time all of a sudden when you're alone and you just don't know if people will like it.

I use a lot of humor in my writing. But it's completely black humor.

People do get mad at me for falling asleep sometimes, and it's the most frustrating thing. I can't help it.