Not that Matador is a major label, but its major enough for me. On one level we're on Matador, but our amps still might explode on stage or they'll be an echo in the mic. It's like climbing a ladder. I like to climb it really slowly. I could probably get really professional right away, but I like to take baby steps and find my own way.

I'd go to a more civil party just to socialize, and I didn't know what to do with myself. So I drank a shot of tequila. And then I drank another one. I probably had four or five shots. I was like, "Tequila! It wakes you right up!" But no.

I'll know when a song's really awesome, for sure, and I get super stoked and I'm so high when I'm hearing it back, but then you sit with the record forever. You're mixing it and you can really just over-think everything. I'll go back and forth all the time.

Some people think they are such geniuses and just thought of that. They think they are so smart, like they say "All this talk about Kurt Vile and no one asks him where he got his stupid name from," or, "No one asks where he stole his name from." And I'm like, "Oh, you're a genius."

I know most of my records are real good but I know that there are definitely things I would've changed at the end of the day. I work on things forever, and there are things I wish I didn't do, but ultimately I know the records are good. I kind of let go of big expectations, maybe because hopefully that means if I don't have them, that it'll do really well, but you just never know.

I've always been a deep sleeper; because I come from such a large family - there are 10 kids - I could sleep through anything.

People do get mad at me for falling asleep sometimes, and it's the most frustrating thing. I can't help it.