I can't tell if you're serious or not,' said the driver. I won't know myself until I find out if life is serious or not,' said Trout. 'It's dangerous, I know, and it can hurt a lot. That doesn't necessarily mean it's serious, too.

As for myself: I had come to the conclusion that there was nothing sacred about myself or any human being, that we were all machines, doomed to collide and collide and collide. For want of anything better to do, we became fans of collisions. Sometimes I wrote well about collisions, which meant I was a writing machine in good repair. Sometimes I wrote badly, which meant I was a writing machine in bad repair. I no more harbored sacredness than did a Pontiac, a mousetrap, or a South Bend Lathe.

You don't do art for any other reason than to help your soul grow.

I think jokes are a perfectly viable form of literature. Some critics take issue with me because I make my points and discuss my ideas with jokes, rather than with oceanic tragedy.

All right - I'll tell you what you did for me: you went for happy, silly, beautiful walks with me.

He was talking about the sign that said 'THE COMPLICATED FUTILITY OF IGNORANCE.' 'All knew was that I didn't want my daughter or anybody's child to see a message that negative every time she comes into the library,' he said. 'And then I found out it was you who was responsible for it.' 'What's so negative about it?' I said. 'What could be a more negative word than "futility"?' he said. '"Ignorance,"' I said.

There is a strong feeling in the Middle West that the artist is not pulling his own weight no matter how hard he may work, that the other people are doing the real stuff.