I think... it is somehow very useful, and maybe even essential, for a fine artist to have to somehow make his peace on the canvas with all the things he cannot do. That is what attracts us to serious paintings, I think: that shortfall, which we might call 'personality,' or maybe even 'pain.'

I am simply impressed by the unexpected insights which shower down on me when my job is to imagine, as contrasted with the woodenly familiar ideas which clutter my desk when my job is to tell the truth.

What geography can give all Middle Westerners, along with the fresh water and topsoil, if they let it, is awe for an Edenic continent stretching forever in all directions. Makes you religious. Takes your breath away.

When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in bad condition in the particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is "So it goes.

The person who writes the bank's commercials is not the person who makes the loans.

Their imaginations were flywheels on the ramshackle machinery of the awful truth.

What we will be seeking... for the rest of our lives will be large, stable communities of like-minded people, which is to say relatives. They no longer exist. The lack of them is not only the main cause, but probably the only cause of our shapeless discontent in the midst of such prosperity.