For me, reggae music and its aesthetic are touchstones in both simple and complex ways. Reggae's capacity to be a folk music that is created in a wholly modern context of the recording studio (and sometimes that is the sole performance space) is riddled with the kinds of contradictory impulses that we have come to expect from the post-modern. I revel in this, for it gives me, shall I say, permission.
Kwame DawesThe rich and complex history of South Carolina is the history of the African diaspora, and in many ways, I felt acutely the sense of this collective memory of migration, suffering and transformation while living in South Carolina.
Kwame DawesIn reggae I have a model of artistic excellence and possibility that is challenging and inspiring. The poem remains a demanding thing - an object to be understood and shaped into my own sense of self, the same is true of the play, the novel, the short story. Yet, for some reason, I approach these existing genres with the kind of confidence that the reggae artist approaches any song floating around out there.
Kwame DawesI believe that many lives around us now can reflect this strange pattern of migration and movement. The question is: are we aware of it, and do we embrace it as a kind of birthright? I do. And yet, I feel deeply connected to at least two homespaces - Jamaica and Ghana, and more recently, South Carolina.
Kwame DawesHIV is no respecter of persons. Any of us could find ourselves with the disease, and then what? We tend to stigmatize as a way to deceive ourselves about our invincibility. But it is a delusion.
Kwame DawesI think that the kinds of stereotypes that people have about Haitians or about HIV sufferers exist because we don't realize that these are our brothers, our sisters, our aunts and uncles, our neighbors. They are us. And I don't mean that in some metaphorical sense. They are literally us.
Kwame Dawes