There's stable subatomic particles - protons, neutrons, electrons - and then there's unstable ones that decay into stable ones. One will become many. There's this constant process of transformation that underlies everything in the entire universe. They also make these beautiful marks through time. It's like the universe was drawing, essentially, at this fundamental level. There's always an alphabet that's based in natural patterns. Sometimes they're just by themselves, sometimes they build up these other things that relate to the conception, that are more at our level of existence.

I think my love of science comes from an interest in wanting to understand the world and wanting to understand our place in it. If I can hook, and reveal, and then, show something, illuminate something about the world, then that's important to me.

I'm not trying to create an aesthetic that's my own; I'm trying to create a way understanding things through drawing and painting. That's the common thread. Things can look different, but that's not what's important. What's important is the process is the same, the ideas are the same, I'm using the same building blocks, but they're different. The larger framework is the same; it's the pieces that change. For me, it's about these different elements, but you're still fitting them together into sentences, words, paragraphs, and stories.

There's stable subatomic particles - protons, neutrons, electrons - and then there's unstable ones that decay into stable ones. One will become many. There's this constant process of transformation that underlies everything in the entire universe. They also make these beautiful marks through time. It's like the universe was drawing, essentially, at this fundamental level. There's always an alphabet that's based in natural patterns. Sometimes they're just by themselves, sometimes they build up these other things that relate to the conception, that are more at our level of existence.