You don't say "Maybe I should go to bed early tonight" or do any of that stuff. It's almost like you know you're alone and you have to get through it by whatever means - distracting yourself. Because, the more alone time the worse, you know?

With the first record (2008’s Ladyhawke) I was quite naive, but very excited and happy.

It doesn't matter if there are 20, 40, 100, or 500 people there. It doesn't matter how many people. You've got to perform to those people because they've come.

I feel like in every song I write, I always write a little darker bit.

It's amazing. Being clearheaded for a show, for starters. Not being reflux-y because of the amount of beer you've drunk.

With the second record (2012's Anxiety), I was quite jaded, and exhausted, and tired. With this third record, I feel that I've come full circle. I had gotten to the absolute pinnacle of how bad someone could feel.

I remember writing a song when I was about 15. This is the one I can remember. I know I'd been writing poetry for a long time, since I was about eight, but I remember my first one that I put to chords. I was really trying to be like the psychedelic era Beatles, I was obsessed. All I could think about was Beatles and Hendrix. So I tried to write a psychedelic song, and it was the worst. I couldn't even... If I read it now - I still have the book somewhere - it makes me cringe out loud. It was just about psychedelic stuff.