“Let is Roll” is like - well, it was like me thinking of a human being in its purest form. That form being a baby where there's nothing there - well, unless I guess you believe that something comes along attached. It depends on what you believe.

I'm just a small-town New Zealand girl. But, I do think it was incredibly necessary for me. Wild Things wouldn't exist if I hadn't have made some dramatic changes and that all happened in LA.

A few people said to me on the UK tour 'that feeling you're feeling is natural. Everyone feels nerves. But, you've got to use that to your advantage. You've got to use that nervous energy and pull it into your performance’. And, I'd never thought of that before.

I don't want anyone to think that I've been lost to California.

With the first record (2008’s Ladyhawke) I was quite naive, but very excited and happy.

It doesn't matter if there are 20, 40, 100, or 500 people there. It doesn't matter how many people. You've got to perform to those people because they've come.

“Money to Burn” is a fantasy. I mean, I would love for that to be a true story. Most of my songs are written in metaphors.