There is a insularity within American fiction even for adults. It's very tough for books in translation in the US.

I also read a lot of nonfiction. I just got "Nixonland" by Rick Perlstein. I felt like what with everything that is going on with the president [Donald trump] and the parallels with [Richard] Nixon's presidency, I needed to know more about the man.

I [read] "The Book of Unknown Americans," which is by a friend of mine, Cristina Henriquez, and is about two Latino, immigrant families who live in Delaware. I'm interested in reading things from different perspectives.

Immigration, a lexicon. You're a 'migrant' when you're very poor; 'immigrant' when you're not so poor; and 'expat' when you're rich.

Few [books] get translated and the ones that do have trouble making it into the mainstream. It's more likely that Americans will discover another culture through an American writer rather read a writer from that culture.

I read "The Conquest of New Spain" by Bernal Diz Del Castillo, which I recommend to a lot of people. He was an eyewitness of [Hernando] Cortez's conquest of Mexico. It's at once very brutal and at times very plodding. It tells what they did everyday, so days can go by and nothing happens. Then all of the sudden they are torturing and doing all these dark things.

The ones that were relevant while I wrote my book were books like "Beloved" by Toni Morrison, which is based on a historical fact, "Ragtime" by E.L. Doctorow, and "True History of the Kelly Gang" by Peter Carey.