When you're a director, you have great respect for directors. I am really pretty loyal to any director that I am working for and I want to help them realize whatever story and mood and tone that they're trying to realize. As an actor, you really just are a cog - you are an important cog, but you are just a piece of the machine.

I'm in full transparency here of "Yeah, I'm trying to find my financing."

A friend of mine told me, you know your obsession with girls who talk like sexy babies? You have to put that into your script.

I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.

If I'm going to pour that kind of love and energy and sweat and heartache, all that juju into something, I'm going to lean into my own projects before someone else's.

I always tried to make people laugh. I attribute that to - I come from a family of divorce. It was a way to distract myself from stuff. I always thought it was interesting that my brother and I existed in this really tight bond, and we would just take the piss out of pretty much everything. I knew I wanted to be an actor so it would be great if I could make people laugh while I was doing this, because I could be other characters and other people, and I could hide behind things. It was a great out for me, and a mode of expression.

Without strong financial roots, our generation is in a constant state of redefinition. This forces us to think outside the box when it comes to making a living... which sometimes makes it look like we're a mess, but really we're just creative. And we like weed.