I think great directors really respect their actors and vice versa. That mutual respect makes the job fun instead of anything but.

Part of why I love being an actor is the opportunity to be able to go to distant lands and take on different worlds and concepts and pretend to take on different occupations and statuses.

I understand and respect deeply that each project brings its own secret and wonderful gifts and happy accidents.

A woman needs her privacy while drinking a dirty Belvedere martini on the rocks with a splash of Tabasco.

I'll be totally honest in that I feel tremendously lucky that I am offered incredible jobs all the time to direct, but the problem that I have just personally is that there are only so many years in my life to dedicate to certain projects. When you're directing something that's generally two years of your life, you have to understand that. If I'm going to pour that kind of love and energy and sweat and heartache, all that juju into something, I'm going to lean into my own projects before someone else's.

I like my body, I like to have fun with what I put on, but I also want to remain classic. So I guess my signature is sexy and eclectic but classic.

What's the trick to writing a genuinely funny comedy? The trick is therapy. Take notes.