I feel very fortunate to be currently in the position where I can choose to be an actor, writer, director, or all of them at the same time. With being a mom, I've recently had a priority shift that has sort of thrusted itself on my existence, but I tend to use all experiences as something to work with. Anything that is profoundly, energy shifting - like having a child - is fodder for creative thought.

When I do an accent I commit fully and take it very seriously.

I think great directors really respect their actors and vice versa. That mutual respect makes the job fun instead of anything but.

I think coming to work and being absurd and neurotic and thoughtful at the same time is far more interesting.

The reason I got into this business was for the privilege to exist in different genres and different worlds and play out different realities.

I always tried to make people laugh. I attribute that to - I come from a family of divorce. It was a way to distract myself from stuff. I always thought it was interesting that my brother and I existed in this really tight bond, and we would just take the piss out of pretty much everything. I knew I wanted to be an actor so it would be great if I could make people laugh while I was doing this, because I could be other characters and other people, and I could hide behind things. It was a great out for me, and a mode of expression.

The most difficult thing about acting and directing in a film is acting and directing in a film. Every ounce of your physical and emotional being, and your analytical and thoughtful and producorial being, is being exercised at all points. You are 100% working on overdrive, but because it is only for X amount of days, if you have the stomach for it, you hustle through. It's a massive undertaking, and I think preparation is the key to success for that endeavor.