I feel very fortunate to be currently in the position where I can choose to be an actor, writer, director, or all of them at the same time. With being a mom, I've recently had a priority shift that has sort of thrusted itself on my existence, but I tend to use all experiences as something to work with. Anything that is profoundly, energy shifting - like having a child - is fodder for creative thought.

I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.

I'm going to say a phrase or terminology or vowel that I don't know how to attack .

But I'd say 'How to Make It in America' is the most accurate depiction of the New York hipster community on television for sure.

Part of what's cool about being an actor or being in this industry, frankly, is to be able to travel to distant lands. That's part of the deal. I always thought when I was growing up, "I wanna be an actor and go see the world.'

I'm in full transparency here of "Yeah, I'm trying to find my financing."

I completely bombed the audition... I was insecure, stopping and starting. I went to the bathroom and cried.