I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.

I had had a huge background in the nuance of the accent because I went to drama school in England for four years.

I feel tremendously lucky that I am offered incredible jobs all the time to direct, but the problem that I have just personally is that there are only so many years in my life to dedicate to certain projects.

You can't live in a dialect without tremendous work. Like any muscle, accents and voices and languages are all formed out of the muscles that we have in our mouths and faces and tongues.

What's the trick to writing a genuinely funny comedy? The trick is therapy. Take notes.

If I'm going to pour that kind of love and energy and sweat and heartache, all that juju into something, I'm going to lean into my own projects before someone else's.

I'm in full transparency here of "Yeah, I'm trying to find my financing."