I have this necklace I always wear. I collect pendants from people I love; my best friends and members of my family have all given me one, and I put them on this chain so no matter where I am they're always with me.

When you're a director, you have great respect for directors. I am really pretty loyal to any director that I am working for and I want to help them realize whatever story and mood and tone that they're trying to realize. As an actor, you really just are a cog - you are an important cog, but you are just a piece of the machine.

I wrote an entire movie [Man up] about how important I think voices are, so it was funny.

What's the trick to writing a genuinely funny comedy? The trick is therapy. Take notes.

I'll be totally honest in that I feel tremendously lucky that I am offered incredible jobs all the time to direct, but the problem that I have just personally is that there are only so many years in my life to dedicate to certain projects. When you're directing something that's generally two years of your life, you have to understand that. If I'm going to pour that kind of love and energy and sweat and heartache, all that juju into something, I'm going to lean into my own projects before someone else's.

It's like the most profound accomplishment that I've had in my career, that I can finally be that voice.

Part of what's cool about being an actor or being in this industry, frankly, is to be able to travel to distant lands. That's part of the deal. I always thought when I was growing up, "I wanna be an actor and go see the world.'