I understand and respect deeply that each project brings its own secret and wonderful gifts and happy accidents.

I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.

A woman needs her privacy while drinking a dirty Belvedere martini on the rocks with a splash of Tabasco.

I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.

I feel tremendously lucky that I am offered incredible jobs all the time to direct, but the problem that I have just personally is that there are only so many years in my life to dedicate to certain projects.

Without strong financial roots, our generation is in a constant state of redefinition. This forces us to think outside the box when it comes to making a living... which sometimes makes it look like we're a mess, but really we're just creative. And we like weed.

I always tried to make people laugh. I attribute that to - I come from a family of divorce. It was a way to distract myself from stuff. I always thought it was interesting that my brother and I existed in this really tight bond, and we would just take the piss out of pretty much everything. I knew I wanted to be an actor so it would be great if I could make people laugh while I was doing this, because I could be other characters and other people, and I could hide behind things. It was a great out for me, and a mode of expression.