When I'm tired of taking on too much responsibility as a director I then look for an acting gig.

You can't live in a dialect without tremendous work. Like any muscle, accents and voices and languages are all formed out of the muscles that we have in our mouths and faces and tongues.

I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.

People do horrible things when they're young. There might be betrayal and there might be things that should be forgotten.

I completely bombed the audition... I was insecure, stopping and starting. I went to the bathroom and cried.

I have this necklace I always wear. I collect pendants from people I love; my best friends and members of my family have all given me one, and I put them on this chain so no matter where I am they're always with me.

I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.