The only one that I think I could beat, if my life depended on it, would be the Predator. If it was in my territory, in my domain, with the guns that I've got, I think I could hurt him pretty bad. That's the only one, though. When you get into metaphysical creatures, they don't play fair.

I'm not Tom Cruise. I don't have to look that good. I'm always going to have a problem because I'm thought of as someone edgy, but I'm not. I'm a cupcake.

I attribute that to the generosity of people that are in the entertainment business because they are all struggling. All roads seem to come to acting, for certain kinds of people that have a reason for being there. They want to be seen and heard, but there's more to it than that. There's a kindred spirit of struggling to find out, "What is this thing? What are we?" It's those eternal questions. But, in the meanwhile, I've met some wonderful people doing this.

When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.

I learned a lot. I really did. Millennium is a state of mind. I always thought of Frank Black as the greatest chess player that could take random pieces of information and string them together into a scenario that was accurate. I never thought of him as a psychic at all. We need people like that.

I have a lot of stories. I had done a thing called Nightmare in Red White and Blue, which was an anthology of horror films. I narrated it with a man named Joe Maddrey, who's a writer. He came to my house and said, "Lance would you consider doing this?," and I like Joe so much that I completely relaxed.

If the crowd is too big, it's too much for me. I took my daughter down there, and all I did was spend all of my time worrying that she was going to get lost because you're caught between somebody with a sandwich in their hand and somebody in a costume. It's really crazy.