If you're going to come at me, come at me respectfully, and I will respond respectfully.

I was coming from a theater background. I had an obsession with classic film and cool, interesting, intelligent television. I didn't really understand the way the mainstream television industry worked. I just thought "The wire is so good that it's going to be a huge hit, and we'll get awards up the yin-yang forever." That's what I thought!

It's funny, because in drama school, my greatest strength was my range. So my early career was like that: I played all kinds of different characters.

I feel like my public life isn't necessarily my own. I'm starting to get used to how to maneuver and operate in New York in a way that I don't get stopped all the time. I just pretty much say "Thank you." But one of the things is to try to keep moving. Not to stop too long, because people try to get into a conversation with you all the time. The hardest thing is on the subway, or when people try to chase you down.

What's interesting is, most of the people who are fans of the The Wire who black people or cops... most of the people in the industry are the crew: writers, actors and directors. And so they understand what it is that we do, so they think, "Wow, what a incredible group of amazing actors." It's funny, I think there are a couple of reasons why we have never gotten any nomination for anything except for writing.

'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.

Notes are tricky in an audition, because I find, more often than not, my instinct is right.